WHAT
IS AMERICAN SMOOTH SYLLABUS? By Alexandra
Y. Caluen (revised 9/06)The syllabus for International
Style, as posted at www.usabda.org, is very consistently taught worldwide and
consequently USA Dance's recently-stated intention of more strict adherence will
be easily accomplished. However, for American style dancers, I had some questions,
which I put to Daphna Locker, who forwarded them to Ava Kaye Brennen, who very
kindly answered as indicated below. "There
is no gold syllabus from the USISTD because this syllabus was devised to take
care of examining judges in American style. Believe it or not, most judges are
examined through some combination of gold and silver syllabus, and since in most
other approved American style syllabi, the silver compares to the Gold in International
style, there is plenty of material available to professionals to test on." "The
simplest answer is that there are no side by side, unled/unleadable patterns in
any syllabus that I know of; therefore the ONLY "open" (meaning not
touching your partner somehow) work should be able to be contained within one
bar of music, as it should consist of a simple free spin to closed or some such
figure. If you have long pieces of side by side choreography, dance them in Novice
and not in syllabus." "There
are many shadow position figures in all the syllabi I know (AM, FADS, NDCA, DVIDA)
and the complexity and length of them depends on the pattern and its level. Be
reasonable; don't dance an entire dance in shadow. American is about showing the
transitions between all the allowable positions." "Again,
many syllabus steps include chassJs and syncopations. A simple chassJ appears
in the Bronze Waltz and the Bronze Foxtrot. Syncopations occur at the Silver level
(Open Right Turn with Lady's Underarm Turn is a syncopation). Syncopated hairpins
not really syllabus, but you could make an argument that they belong in
Gold." "Correlate your figures
to International Style. If they exist in an International Standard syllabus, then
they would be unquestioned in an American style competition, particularly at Gold.
That takes care of the telemark question. Same foot lunge is more questionable,
as it is not part of the syllabus; it is, however, part of the "named variations"
which International Standard uses to examine fellows, so it has been codified.
Usually this type of step is considered to be allowable in the Gold in American
style." "If
by overturned oversway you mean a throwaway oversway, the answer is as above;
it is codified, and therefore acceptable at the Gold level in American style.
My instinct is to tell you no drops or lifts are permitted in syllabus. "American
Style has been impossible to invigilate even for professionals, since there are
so many accepted syllabi. This is a good argument for only accepting one syllabus!
However, the US has many syllabi and we have to live with it." Thank
you, Daphna and Ava! Obviously this is not a
comprehensive guide for American-style dancers, but it should provide a place
to start when spectating and when preparing choreography for competition yourselves.
Generally speaking, American style dancers are taught to be social dancers first;
lead/follow is more the aim than any particular step list. Thus, social dancers
who decide to dip a toe into competition would be well advised to consult a coach
in preparing their competition choreography. For
additional Gold-level guidance in tango, slow waltz, slow foxtrot, and Viennese
waltz, consult the International-style syllabus. It is also strongly urged that
prospective competitors attend several amateur competitions as spectators prior
to entering into competition. This will be your best education as to what you
may and may not do. The "Open" dancesport
events (novice, pre-championship, and championship) prohibit only lifts. If you
are an advanced social dancer and you want to compete without restrictions on
your choreography, it is recommended that you commence in novice, a three-dance
event. However, preparing to compete in syllabus is one of the fastest and most
efficient ways to improve your basic technique and will likely result in immediate,
noticeable improvement in your social dancing as well.
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